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Iss. 1, August 2020

Iss. 2, November 2020

Iss. 3, February 2021

Iss. 4, May 2021

Iss. 5, Aug 2021

Iss. 6, November 2021

Iss. 7, 2022 National Poetry Month Issue

Iss. 8, February 2023

Iss. 9, Fall 2023

Iss. 10, Spring 2024

Iss. 1, August 2020

Iss. 2, November 2020

Iss. 3, February 2021

Iss. 4, May 2021

Iss. 5, Aug 2021

Iss. 6, November 2021

Iss. 7, 2022 National Poetry Month Issue

Iss. 8, February 2023

Iss. 9, Fall 2023

Iss. 10, Spring 2024

Folder: Archives

Iss. 1, August 2020

Iss. 2, November 2020

Iss. 3, February 2021

Iss. 4, May 2021

Iss. 5, Aug 2021

Iss. 6, November 2021

Iss. 7, 2022 National Poetry Month Issue

Iss. 8, February 2023

Iss. 9, Fall 2023

Iss. 10, Spring 2024

MASTHEAD

Thomas Kneeland, Editor-in-Chief
Dr. Martina McGowan, Poetry Editor

Contributors

“Bottom Feeding”
“Rummage”
“Red Rocks Park, Vermont,” “Decided”
“Ghazal: Self-Reflection in Gold”
“The Clock”
“Winter Grocery Store”
“As I meet the blue bonnets”
“Conjuring an Existence”
“Untitled,” “Brush Strokes”
“The Power of Prayer”
“A Tenuous Threnody”
“The time of my end rushes“
“Climbing the Maypole”
“Predator and Prey”
“Cormorants”
“Portrait of a Preteen Brooklyn Girl”
“Gideon Got it Wrong”
“Flocked Beyond the Altimeter”
“Here Because We Are Here”
“Marlene,” “Sunday,” “Letting Go”
“A Note from the Author”
“Death Waits”
“A Cloudy Day”
“I Have Begun to Enrich My Own Uranium”
“Emily as a Coffee Shop”
“Old Man with Cup of Tea”
“Sitting at the cemetery watching a clock”
“Sins of the Father”
“Blow Your Smoke”
“Whipping Girls”
“Danni”
“Band-Aids Don’t Heal Scars, I Do,” “Hatchet Man,” “Here, in the Floodplain”
“National Prose Month,” “Zen and the Music of Earth, Wind, and Fire”
“Looking Beyond the Imperfections,” “Pump the Love Pump the Hope”
“do you care?”
“Thursday”
“Loose Change”
“Poetry Man”
“Americana Folktale: Fourth of July, 2002”
“Elegy for my Grandpa”
“Age Thirty-Four”
“In Which the You is Consistent, but not Static and Nothing is Limited by History,” “If a crystal grows in a nearly lightless cave and nobody sees it, does it still refract?,” “How you are dis-becoming”
“Thanks, Instagram”
“But the Light…”
“Anemones Slice into Heirloom”
“Quantum Will”
“small truths”
“Hole in the Sky,” “Florida Fireflies”
“Hurricane Algebra”

“Melodies Over the Railroad”
“Executive Management Tools”
“it is one year to the day”
“Padlocks and Tattoos”
“Travesty”
“I Looked to My People, and My People Said Nothing”
“vs World”
“autumn hair”
“Why I Am Not a Fashionista”
“Softening”
“Remission”
“Curved Water,” “Clare Coast,” “Dún Laoghaire”
“Sapphic Snow White Longing for a Blonde”
“See Rock City,” “Joshua Tree”
“wisdom of the senile mind”
“Learning to Cook”
“The Lighthouse of Maracaibo,” “Beat Box (Ignite)”
“Bewilderness,” “Hands,” “Surfing Lessons”
“To Leave”
“Afraid of the Fairytale”
“middlelands”
“The KN95 Blue(s)”
“what i said when you asked me to stay”
“Unknowing Niche”
“The Trap”
“The Trees Look Like Crucified Thieves”
“Airshaft Bird”
“Promenade of Fresh Air”
“Interior”
“Ordinary,” “Roots, or the persistence of fruit trees”
“A poem where I don’t say”
“Airing Out Laundry in Cortona”
“Free,” “Ephemeral,” “New Planks”
“The Producer or: Milton”
“Only in Black and White”
“Don’t Steal Others’ Religions,” “The Park Swing”
“Driving from Gallup to Albuquerque,” “Today My Mother Phoned to Say”
“Visceral,” “Because I am me and you are you”
“See Bird”
“An Ill-Iterate Birth”
“Bazaar Sketches”
“It Doesn’t Go Down Like That,” “Three Principles of Dialectical Thinking”
“Attention Fellow Schoolteachers:”
“Chrysanthemums”
“Billie Eilish”
“Miriam”
“I Talked to the Sun,” “The Anticipation of Flight”
“New Room”
“A Poem for my Sister, or a Poem for God,” “Fruit and Other Things with Bruises”
“Other-Worldly,” “Mother Poem”

All poems are the copyright and personal property of the authors. No writing on this website may be copied and distributed without permission from the authors.

2024 | The Elevation Review | The Kneeland Center for Poetry, Inc. | All rights reserved.

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